A making-of documentary for the film Braveheart (1995).

In this special edition of Primetime, ABC News' Diane Sawyer interviews filmmaker Mel Gibson about his highly controversial movie, ""The Passion of the Christ."" He responds to charges that the movie's portrayal of the Jewish role in the death of Christ will encourage anti-Semitism. He also elaborates on comments he's made about the Holocaust. In addition, Gibson tells why he felt it necessary to exhibit such a graphic depiction of Christ's crucifixion on film and discusses his decision to tell the story in Aramaic and Latin.

HBO behind the scenes special about the making of Lethal Weapon 2.

Saget’s short film is a precursor to his subsequent successful career as a stand-up comedian. In the film, he projects himself as a successful art-house filmmaker, like Bergman or Fellini, and proceeds to poll passing pedestrians about their knowledge of the “famous” local filmmaker, Bob Saget.

Mel Gibson, Australian-raised US actor and film director, rose to stardom in the late 1980s, a privileged status he enjoyed for nearly two decades until his fall from grace due to his controversial opinions and scandals. Angel face, tormented soul: who is Mel Gibson really?

Today, Mel (34) belongs to the winners in life, but that wasn’t always the case. The thought of her own past so upsets the self-made millionaire’s that she summarily buys the large panel systems-building where she grew up. She would like to come to terms with her history, but the past is a stubborn beast.

Biography of the legendary filmmaker directed by his son.

Adam’s Passion is the moving first collaboration between two “masters of slow motion who harmonize perfectly with each other” (Frankfurter Allgemeine Zeitung). In the spectacular setting of a former submarine factory, American director and universal artist Robert Wilson creates a poetic visual world in which the mystical musical language of the Estonian composer Arvo Pärt can cast its meditative spell. Three of Pärt’s major works – Adam’s Lament, Tabula rasa, and Miserere, as well as Sequentia, a new work composed especially for this production – are brought together here using light, space, and movement to create a tightly-woven Gesamtkunstwerk in which the artistic visions of these two great artists mirror each other.

Janet, a prison psychologist for potential parolees, finds herself drawn to Robert Moss, an inmate convicted of a bank robbery. After his release she and Moss begin a heated affair, but as he struggles to adjust to life "on the outside," someone is murdered. Will Janet turn in her dangerous lover before she becomes his next victim?

Set in early 1900s France, a widow renews a former romantic interest until it is discovered that he has had a past fling with one of her new employees, a nanny. This sets the two women into many well-mannered accusations and conversations, but no modern brawling, and puts him in the middle or possibly on the outside.